European Cinema

Transnational Cinema/Media Studies conference (report)

African Studies / Media Studies / Globalization / Film Studies / Film Theory / European Cinema / Transnationalism / Film Analysis / Middle Eastern Studies / Diaspora Studies / East Asian Cinema / Cinema / Indian Cinema / Film Aesthetics / Latin American Cinema / Film / Film and Media Studies / Cinema Studies / Cinema and Media Studies / European Cinema / Transnationalism / Film Analysis / Middle Eastern Studies / Diaspora Studies / East Asian Cinema / Cinema / Indian Cinema / Film Aesthetics / Latin American Cinema / Film / Film and Media Studies / Cinema Studies / Cinema and Media Studies

La villa de los suicidas: una lección felliniana de cultura clásica

Ancient History / Film Studies / European Cinema / History and Classical tradition studies / The Classical Tradition / Film and History / Petronius / Classical Reception Studies / Italian cinema (Film Studies) / Film and Media Studies / Film and Literature / Historia Antigua Clásica / Cinema e História / Estudios Clásicos / Historia Antigua / Storia Antica / Fellini Satyricon / Federico Fellini / Historia y Cine / Histoire Ancienne / Cinema et Histoire / Studi Classici / Tradición Clásica / Storia del cinema e teatro italiano / Cine De Autor / Classical Studies / Estudios Fílmicos / Film and History / Petronius / Classical Reception Studies / Italian cinema (Film Studies) / Film and Media Studies / Film and Literature / Historia Antigua Clásica / Cinema e História / Estudios Clásicos / Historia Antigua / Storia Antica / Fellini Satyricon / Federico Fellini / Historia y Cine / Histoire Ancienne / Cinema et Histoire / Studi Classici / Tradición Clásica / Storia del cinema e teatro italiano / Cine De Autor / Classical Studies / Estudios Fílmicos

El film como estudio historiografico

European Cinema / Literature and cinema / Historiography / Digital Cinema / Spanish Cinema / Japanese Cinema / Italian Cinema / Puerto Rico / American Cinema / Hindi Cinema / Cinema / History of Historiography / Art and Independent Cinema / Puerto Rican Literature / Cinematography / Puerto Rican Studies / Etnohistoria / Transnational Cinema / Cinema Studies / España / Puerto Rican History / Historiografia, História Moderna e Contemporânea, Teoria da História / Historiografía guatemalteca y centroamericana / Historiografia / Historiografia Digital / Historia Contemporánea de España / Historiografía / Literatura hispanoamericana y puertorriqueña / Historia De Puerto Rico / Cinema and Television / Película Cinematográfica / Historiografía Latina / Japanese Cinema / Italian Cinema / Puerto Rico / American Cinema / Hindi Cinema / Cinema / History of Historiography / Art and Independent Cinema / Puerto Rican Literature / Cinematography / Puerto Rican Studies / Etnohistoria / Transnational Cinema / Cinema Studies / España / Puerto Rican History / Historiografia, História Moderna e Contemporânea, Teoria da História / Historiografía guatemalteca y centroamericana / Historiografia / Historiografia Digital / Historia Contemporánea de España / Historiografía / Literatura hispanoamericana y puertorriqueña / Historia De Puerto Rico / Cinema and Television / Película Cinematográfica / Historiografía Latina

Cine, testimonio y ficción en Tout Va Bien

European Cinema / Cinema / Cinematography / Oral History and Memory / Testimonio / Memoria / Memoria y testimonio / Memoria / Memoria y testimonio

LA POSIBILIDAD DEL REGRESO (DEL EXILIO) A TRAVÉS DE LA EXPERIENCIA ESTÉTICA

European Cinema / Literature and cinema / Early Cinema / American Cinema / Cinema / Transnational Cinema / Cinema Studies / Political cinema / Película Cinematográfica / Transnational Cinema / Cinema Studies / Political cinema / Película Cinematográfica

El otro y su plasmación fantasmática: una lectura transversal de La Blessure, de Nicolas Klotz

Intercultural Communication / Film Studies / Film Theory / European Cinema / Immigration / Cinema / Zombies / Cinema / Zombies

La destrucción de la figura paterna en la obra final de Ingmar Bergman

European Cinema / Cinema / Ingmar Bergman Films / Psicoanálisis / Patriarcado

La búsqueda de la belleza en La Meglio Gioventù

Film Studies / European Cinema / Film Analysis

N. 18 / ESCRIBIR EL CINE: LA PASIÓN CINEFÍLICA EN LA OBRA DE VÍCTOR ERICE / Santos Zunzunegui

European Cinema / Cinema / Historia / Cinema Studies / Poesía / Memoria / Victor Erice / Memoria / Victor Erice

Heterodoxia y censura en el cine de santa Teresa

European Cinema / Literature and cinema / Spanish Cinema / Biopic / Cinema Studies / Santa Teresa de Ávila / Literary Biopics / Teresa de Jesús / Biopics, genre theory / Cinema and Television / Santa Teresa de Jesús / Santa Teresa D’Avila / Santa Teresa de Ávila / Literary Biopics / Teresa de Jesús / Biopics, genre theory / Cinema and Television / Santa Teresa de Jesús / Santa Teresa D’Avila

RAÚL RUIZ: CINE Y ONTOLOGÍA DE LO FANTÁSTICO. TERRITORIOS, POLÍTICAS ESTÉTICAS Y POLISEMIA VISUAL

Critical Theory / Sociology / Cultural Studies / Media Sociology / Political Sociology / Social Theory / Sociology of Culture / Visual Sociology / Psychology / Cognitive Psychology / Psychoanalysis / Social Psychology / Optics / Musical Composition / Game Theory / Anthropology / Philosophy / Philosophy of Mind / Philosophy Of Language / Political Philosophy / Ethics / Visual Studies / Art History / Visual Anthropology / Performing Arts / Theatre Studies / Social Anthropology / Cultural Sociology / Design / Art / Theatre History / Architecture / Art Theory / Visualization / Film Studies / Film Theory / French Cinema / European Cinema / Literature / Existential Phenomenological Psychotherapy / Film Music And Sound / Narrative / Postdramatic theatre / Sociology of Crime and Deviance / Sociology of Knowledge / Contemporary Art / Literature and cinema / Visual Culture / Dramaturgy / Film Analysis / Educational Psychology / Documentary (Film Studies) / Political Anthropology / Social and Cultural Anthropology / Poetry / Arts Education / Cultural Theory / Visual Semiotics / Mass Communication / Digital Cinema / Graphic Design / Hermeneutics / Phenomenology / Philosophy of Film / Philosophy of Art / Visual perception / Performance Art / Continental Philosophy / Spanish Cinema / Media Arts / Product Design / Scenography / Poetics / Culture / Theater and film / Literary Theory / Film Adaptation / Theory of the Novel / Anthropology Of Art / Narrative Methods / Social Media / Sociology of Arts / Translation of Poetry / Franciscan Studies / Visual Communication / Francophone Literature / Film History / Modern Poetry / History of Art / Literature and Visual Arts / Architectural Theory / Hermeneutics and Narrative / Narrative and Identity / Decorative Arts / Arts / Scenario planning / Moral Philosophy / Narrative Analysis / Cinema / Marcel Proust / Contemporary Poetry / Narrative Theory / Art and Independent Cinema / Architecture and Phenomenology / Documentary Film / Novel / Cultural Anthropology / Film Aesthetics / Phenomenology of Space and Place / Art Education / Visual Arts / Filosofia Del Lenguaje / Chilean Politics / Theatre / Film / Cinematography / Film and Media Studies / Cognitive Poetics / Fine Arts / Rethoric / Mass media / Transnational Cinema / Filosofía Política / Mass Communication and New Media / Etnography / Sociologia / Cinema Studies / Comunicacion Social / Estética / Filosofía / Liberal arts / ARTE DISEÑO & COMUNICACION VISUAL / Estetica / Comunicación y cultura / Patrimonio Cultural / Artes / Filosofia do Direito / Cine / Historia del Arte / Comunication and New / Sociología / Letras / Littérature Française / Journalism And Mass communication / Raoul Ruiz / Visual Comunication / Raul Ruiz / Teoria E Critica De Arte / Filosofía del arte / Arts and Humanities / Peliculas / Artes Visuais / Festival de Cinema / Cahiers du cinema / Filosofía y Letras -UANL / Cinema Theory / Cinema and Television / Artes visuales / Adolfo Vasquez Rocca / Theories of Mass Communication / Tecnologias da Informação e da Comunicação (TIC) na Educação / Poética Y Retórica / Festival De Cine Cannes / Película Cinematográfica / Visual Anthropology and Sociology / Filosofia / Teoría Del Conflicto Central / Polisemia / Social Theory / Sociology of Culture / Visual Sociology / Psychology / Cognitive Psychology / Psychoanalysis / Social Psychology / Optics / Musical Composition / Game Theory / Anthropology / Philosophy / Philosophy of Mind / Philosophy Of Language / Political Philosophy / Ethics / Visual Studies / Art History / Visual Anthropology / Performing Arts / Theatre Studies / Social Anthropology / Cultural Sociology / Design / Art / Theatre History / Architecture / Art Theory / Visualization / Film Studies / Film Theory / French Cinema / European Cinema / Literature / Existential Phenomenological Psychotherapy / Film Music And Sound / Narrative / Postdramatic theatre / Sociology of Crime and Deviance / Sociology of Knowledge / Contemporary Art / Literature and cinema / Visual Culture / Dramaturgy / Film Analysis / Educational Psychology / Documentary (Film Studies) / Political Anthropology / Social and Cultural Anthropology / Poetry / Arts Education / Cultural Theory / Visual Semiotics / Mass Communication / Digital Cinema / Graphic Design / Hermeneutics / Phenomenology / Philosophy of Film / Philosophy of Art / Visual perception / Performance Art / Continental Philosophy / Spanish Cinema / Media Arts / Product Design / Scenography / Poetics / Culture / Theater and film / Literary Theory / Film Adaptation / Theory of the Novel / Anthropology Of Art / Narrative Methods / Social Media / Sociology of Arts / Translation of Poetry / Franciscan Studies / Visual Communication / Francophone Literature / Film History / Modern Poetry / History of Art / Literature and Visual Arts / Architectural Theory / Hermeneutics and Narrative / Narrative and Identity / Decorative Arts / Arts / Scenario planning / Moral Philosophy / Narrative Analysis / Cinema / Marcel Proust / Contemporary Poetry / Narrative Theory / Art and Independent Cinema / Architecture and Phenomenology / Documentary Film / Novel / Cultural Anthropology / Film Aesthetics / Phenomenology of Space and Place / Art Education / Visual Arts / Filosofia Del Lenguaje / Chilean Politics / Theatre / Film / Cinematography / Film and Media Studies / Cognitive Poetics / Fine Arts / Rethoric / Mass media / Transnational Cinema / Filosofía Política / Mass Communication and New Media / Etnography / Sociologia / Cinema Studies / Comunicacion Social / Estética / Filosofía / Liberal arts / ARTE DISEÑO & COMUNICACION VISUAL / Estetica / Comunicación y cultura / Patrimonio Cultural / Artes / Filosofia do Direito / Cine / Historia del Arte / Comunication and New / Sociología / Letras / Littérature Française / Journalism And Mass communication / Raoul Ruiz / Visual Comunication / Raul Ruiz / Teoria E Critica De Arte / Filosofía del arte / Arts and Humanities / Peliculas / Artes Visuais / Festival de Cinema / Cahiers du cinema / Filosofía y Letras -UANL / Cinema Theory / Cinema and Television / Artes visuales / Adolfo Vasquez Rocca / Theories of Mass Communication / Tecnologias da Informação e da Comunicação (TIC) na Educação / Poética Y Retórica / Festival De Cine Cannes / Película Cinematográfica / Visual Anthropology and Sociology / Filosofia / Teoría Del Conflicto Central / Polisemia

\'LOS MOTIVOS DE BERTA\' (JOSÉ LUIS GUERIN, 1983/84): CRÓNICA DE UN FILM REENCONTRADO

Semiotics / Film Studies / European Cinema / Literature and cinema / Spanish Cinema / Cinema / Spanish cinema (Film Studies) / Film and Media Studies / Cinema Studies / Transtextuality / Cine / History of Spanish Cinema / Semiótica / Semiotica / Semiotica del visivo / Cine Español / Transtextualidad / Media and Film Studies / Semiotica Del Cinema / José Luis Guerín / Historia del Cine Español / Semántica del paisaje / Los motivos de Berta / Cinema / Spanish cinema (Film Studies) / Film and Media Studies / Cinema Studies / Transtextuality / Cine / History of Spanish Cinema / Semiótica / Semiotica / Semiotica del visivo / Cine Español / Transtextualidad / Media and Film Studies / Semiotica Del Cinema / José Luis Guerín / Historia del Cine Español / Semántica del paisaje / Los motivos de Berta

Viaje a la prehistoria de Karel Zeman

Archaeology / Prehistoric Archaeology / Geology / Paleontology / Social Sciences / Structural Geology / French Cinema / European Cinema / History of Paleontology / Human Rights / Literature and cinema / Quaternary Geology / American Cinema / Cinema / Art and Independent Cinema / Vertebrate Paleontology / Dinosaur Paleontology / Prehistoric Art / Visual Arts / Prehistory / Dinosaurian Paleontology / Cinematography / Prehistoric Rock Art / Cinema Studies / Dinosaurs / Prehistoric Archeology / Dibujos animados / Geology and Paleontology / Marginocephalian dinosaurs / Cinema and Television / Taphonomy of Mesozoic continental sites and Dinosaur nesting sites / Checoslovaquian Cinema / Structural Geology / French Cinema / European Cinema / History of Paleontology / Human Rights / Literature and cinema / Quaternary Geology / American Cinema / Cinema / Art and Independent Cinema / Vertebrate Paleontology / Dinosaur Paleontology / Prehistoric Art / Visual Arts / Prehistory / Dinosaurian Paleontology / Cinematography / Prehistoric Rock Art / Cinema Studies / Dinosaurs / Prehistoric Archeology / Dibujos animados / Geology and Paleontology / Marginocephalian dinosaurs / Cinema and Television / Taphonomy of Mesozoic continental sites and Dinosaur nesting sites / Checoslovaquian Cinema

Coproducción y colaboración cinematográfica hispano-italiana durante los años 1939-1943 -SPANISH-

International Relations / European Cinema / Fascism / Spanish Cinema / Italian Cinema / Spanish Civil War / Franquismo / GUERRA CIVIL ESPAÑOLA / History of Cinema / Storia Del Cinema Italiano / Cine Español / Italian Fascist Cinema / Film Coproductions / Spanish Civil War / Franquismo / GUERRA CIVIL ESPAÑOLA / History of Cinema / Storia Del Cinema Italiano / Cine Español / Italian Fascist Cinema / Film Coproductions
Copyright © 2017 DATOSPDF Inc.